By James M. Dunlop

Any artist wishing to perform determine drawing or to appreciate the body's flow will do good to check the interplay of muscle tissues with bone constitution. This undying creation to human anatomy combines artwork and technological know-how, targeting sensible depictions of the skeleton's impression at the exterior shape and the attachments of the muscular system.
More than 70 black-and-white illustrations express the positions and names of muscle mass and bones. transparent and actual, the diagrams disguise every thing from the bones and muscle groups within the neck, head, trunk, limbs, hand, and foot to information of the face. Artists at each point of expertise will locate this quantity an integral reference.

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INNER VIEW OF THE UPPER LIMB. BACK VIEW OF THE UPPER LIMB. THE BONES IN RELATION TO THE OUTLINE OF FIGURE FRONT VIEW CONSTRUCTION LINES OF THE STANDING FIGURE. FRONT VIEW. THE BONES IN RELATION TO OUTLINE OF FIGURE. BACK VIEW. CONSTRUCTION LINES OF THE STANDING FIGURE. BACK VIEW. THE BONES IN RELATION TO OUTLINE OF FIGURE. SIDE VIEW. PARTS OF THE BONES WHICH DIRECTLY AFFECT THE SURFACE FORM—SIDE VIEW. THE BONES AS IN ACTION—FRONT VIEW. THE MUSCLES AS IN ACTION—FRONT VIEW. —BACK VIEW. —BACK VIEW.

Dunlop. originally published by George Bell and Sons. London, in 1904. ” 9780486149479 1. Anatomy, Artistic. I. , Anatomical diagrams for the use of art students. II. Title. 4’9—dc22 2006102439 Manufactured in the United States of America Dover Publications. Y 11501 PREFACE. SCIENCE AND ART are indeed sisters, but they are very different in their tastes, and it is no easy task to cultivate with advantage the favour of both. Artistic Anatomy is in its nature a scientific pursuit, dealing partly in explicit observation of details of form, partly in the explanation of the causes producing them; while the details themselves are among those with which the followers of Art require to be familiar; and are sometimes of little apparent scientific importance save from an artistic point of view.

Much will thus be brought to light, in all probability now unsuspected, and Art and Philosophy will both be gainers. While, however, Art is one thing and Artistic Anatomy quite another, and while it is to be acknowledged that beautiful representations may be achieved without any anatomical knowledge, this only shows how much can be done by practised observation led on by intuitive appreciation which, often unconsciously, guides the mind to the accomplishment of its aims. But such success is neither easy nor to be depended on, and the general average thus obtainable cannot be expected to be so good as would be obtained if observation were assisted by acquaintance with the meaning of the shapes observed.

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