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9 July The Women, by Clare Boothe Luce and starring Ilka Chase, Jane Seymour, Arlene Francis, Doris Day, and Marjorie Main, opens at New York's Ethel Barrymore Theater and runs for 657 performances. 21 Sept. George Kelly s Reflected Glory, starring Tallulah Bankhead, opens at New York's Morosco Theater. 22 Oct. Stage Door, by George S. Kaufman and Edna Ferber, and starring Margaret Sullavan and Tom Ewell, opens at New York's Music Box Theater and runs for 169 performances. The next year it is made into a movie directed by Gregory La Cava and starring Katharine Hepburn, Adolphe Menjou, Lucille Ball, and Ginger Rogers.

Drake's play adaptation of the Vicki Baum novel Grand Hotel, starring Henry Hull and Sam Jaffe, opens at New York's National Theater and runs for 459 performances. 18 Nov. Bob Hope, Marilyn Miller, Eddie Foy, and Fred and Adele Astaire star in the musical Smiles, which opens at New York's Ziegfeld Theater. 8 Dec. The New Yorkers, starring Hope Williams, Ann Pennington, Jimmy Durante, Lew Clayton, and Eddie Jackson, and with music and lyrics by Cole Porter, opens at New York's Broadway Theater. " 1931 Movies An American Tragedy, directed by Josef von Sternberg and starring Sylvia Sidney, Phillips Holmes, and Frances Dee; City Lights, directed by and starring Charlie Chaplin; Dishonored, directed by Josef von Sternberg and starring Marlene Dietrich; Dracula, directed by Tod Browning and starring Bela Lugosi; Frankenstein, directed by James Whale and starring Boris Karloff; Monkey Business, directed by Norman Z.

During the 1930s their experiments with modernism were influenced by their encounters with the Depression, resulting in distinctly national art — one that employed the innovations of modernism to explore the effects of the Depression on the common man. It was, in a sense, a decade of documentary expression, one in which artists explored a myriad of representational forms, all oriented toward revealing an often desperate reality. Documentary Expression. Since World War I some of the finest American writing, such as the novels of Fitzgerald and Sinclair Lewis, had been oriented toward ARTS exposing the hypocrisy and falseness of American culture.

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