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A Short Course in Nikon D70 Photography by Dennis Curtin

By Dennis Curtin

This book/eBook package deal is your consultant to getting extra fascinating and artistic photographs together with your Nikon D70 digicam. so as to study extra in regards to the thoughts of images, this book/ebook is for you. It discusses each digital camera environment in a transparent, well-illustrated variety, however it additionally does even more. you will see why and should you use particular settings, not only how you can set them. you will discover that this consultant is helping you quick grasp your digital camera so you can be getting the types of photographs you wish for. The booklet is outlined in black & white and has a favored spiral binding that we could the booklet lie flat or be folded again. The accompanying booklet on a CD disc is a printable and searchable full-color model of an analogous publication in Adobe's renowned PDF structure. it may be learn on a laptop or Mac utilizing the unfastened Acrobat Reader or any present net browser.Just a few of the issues you will know about are how one can take photographs in absolutely computerized element and shoot mode and the way your digicam captures electronic photographs; the best way to play again and deal with your photographs; use buttons, dials, and menus; keep an eye on picture measurement and caliber; use all the camera's publicity modes and publicity controls to get images that express the scene precisely because it is, or as you must interpret it; how one can regulate sharpness on your pictures; and the way to take advantage of concentration, depth-of-field, sharpness, softness, and blur creatively. research all approximately gentle and colour and the way to exploit them creatively. know the way they modify through the day and seasons, how they are tormented by the elements, and the way light's path and caliber impacts highlights and shadows. See tips to set your camera's white stability to seize shades how you see them. how to use lenses creatively while photographing surroundings, interiors, humans, and intensely small topics. See how zoom, wide-angle, general, telephoto, tilt-shift, and macro lenses impact your pictures. See the right way to creatively use your integrated and exterior flash either interior and in and out stable mild and undesirable. discover precise concepts equivalent to fill and gradual sync flash. See the way to shoot regularly, bracket exposures, white stability and flash, keep watch over photograph features reminiscent of tone, sharpness and hue, decide on colour modes, and use the setup, customized settings, and playback menus.

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Spot metering icon. An off-center subject is a good situation in which to link focus and exposure. COM 41 CHAPTER 2. CONTROLLING EXPOSURE HOW EXPOSURE AFFECTS YOUR IMAGES When you take a photograph, the exposure isn’t uniformly distributed over the sensor’s surface—unless you are photographing a subject that is absolutely uniform in tone. Highlights (brighter areas) in the scene reflect the most light, and the areas of the sensor onto which they are focused are exposed a great deal. Darker areas, such as shadows, reflect much less light, so the areas of the sensor onto which they are focused receive much less exposure.

The gray scale is a series of steps reflecting different levels of brightness. When you photograph a subject with an overall tone of middle gray, your camera’s autoexposure system will set an exposure so that the subject will appear in the final image as middle gray. This gives you an ideal exposure. When you photograph subjects that have an overall tone lighter or darker then middle gray they will also be middle gray in the final image and therefore look too light or dark. It may surprise you, but if you photograph a white card, a gray card, and a black card, and each completely fills the screen when the exposure is calculated, each of the cards will be middle gray in the captured image.

This is why you can use a slower shutter speed to sharply photograph a subject moving toward, or away from you, and not the same subject moving at the same speed from one side of the scene to the other. COM HOW TO PHOTOGRAPH MOTION SHARPLY DISTANCE TO SUBJECT AND FOCAL LENGTH OF LENS If a subject is close to the camera, even slight movement is enough to cause blur. A subject—or part of one—far from the camera can move a considerable distance before its image on the image sensor moves very much.

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