By Francis Tsai

Offers a hundred intriguing and creative how one can layout and draw greater fable figures—from constructing characters to including costumes, props and backdrops. Hollywood proposal fashion designer Francis Tsai stocks counsel and tips for growing imaginitive figures, giving readers a different chance to realize tips from a true professional. hugely available and that includes a wealth of principles, this sourcebook contains an inspirational mixture of kinds and techniques, with impacts starting from Celtic, Greek, Roman, Oriental and Medieval to nineteenth Century Gothic—something for each delusion artist!

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The basic mechanics of this interesting and powerful skill may be learned from this exercise. Facing your training partner from a left combative posture, step forward onto your left foot, deeply to his left and behind him (# 1 ) . Now quickly turn your body a bit to your left and drop onto your right knee, supporting yourselfwith both hands on the ground (# 2). Swing your extended left leg in an arc behind you, using a sickle motion against the METHOD. back ofyour partner's legjust above the ankle and below the calf (# 3).

TRAINING EXERCISE14 A Perisai Diri countermeasure to the tactic described in Training Exercise 1%A, this exercise continues Training Exercise 12. Your partner leaps around your left side and tries to hook your neck with his right hand preparatory to pulling you to the ground (# 2-# 3). You counter with an evasive wheeling action, turning quickly to your right, pivoting on your right foot, and coming around 180" to escape his pull (# 4-# 5). r hands to avoid a possible kick-' ssumes a new combative posture u rush a t him in a straight-line 'm to a side thrust kick (# 7).

Face your training partner. As he lunges forward and thrusts his right arrowhead fist at your midsection, execute the evasive action of Training Exercise 9 (page 92-3), as shown in # I . Your partner continues his attack by trying to drive his shoulder into your midsection and then striking you in the groin with hisback or bottom fist (shown) as you back away (heis using Training Exercise 10, page 94) just as is shown in # 2. At his attack, jump lightly to your left rear corner by pivoting on your left foot and carrying your right leg around behind you.

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